Category Archives: New York City

New Walk (and Bike) City

Image courtesy of the NYC Dept of Transportation

Image courtesy of the NYC Dept of Transportation

So Turnstone’s updates here were scare during a chunk of 2012, and here’s my excuse: I took an 8-month walk around New York, a bit like Phyllis Pearsall, tireless authoress of the London A-Z, did in the 1930s. I went analog and on secondment to join a larger design team for a really special project:

Transportation Nation and Brooklyn Spoke explain exactly what for in these previews of the NYC Department of Transportation pedestrian and bike share wayfinding systems, projects that are set to appear across the city in 2013. More about those to follow here in the coming months as the projects get off – and on – the ground.

Meantime, if you look lost at any intersection on or off the grid, the person approaching you to give you directions, whether you’d asked for them or not, is probably me.

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On board at AIGA New York

I’ve recently accepted an invitation to join the board of the New York chapter of the American Institute of Graphics Arts (AIGA). For 30 years, the organization has been at the center of professional design practice and it’s an honor to participate at this stage. Led by Board Chair, Willy Wong and in esteemed company, I’m thankful to the team who elected us newcomers. Over the coming year, I look forward to contributing and to steering some of the ideas, issues and inspiration Turnstone has been gathering here, towards to new and familiar audiences.

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Turnstone in transit in 2012

Beyond yellow taxi fleets to greener road transit:

The downstate New York chapter of the US Department of Energy’s Clean Cities Coalition will roll out a new identity in 2012, based on strategy completed by Turnstone in 2011. The Clean Cities program’s mission is to improve air quality in major American cities by reducing, replacing and eliminating petroleum-consuming road transit with cleaner vehicle fleets.

In September 2012, Turnstone will present a paper at TRANSED 2012, India’s national conference on Mobility and Transport for Elderly and Disabled Persons, in Delhi.

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Birds of a feather: Crain’s talks taxi tech to Turnstone

A bigger off button doth not a better content strategy make: Crain’s New York Business has been talking to Turnstone about media in yellow cabs:

‘Some urban-design experts are critical of New York’s taxi screen setup, saying that television programming should be only one element in the mix, writes Matt Flamm.

‘They’d like the screens to be open to a range of content providers and digital applications, and used to create an iconic New York experience rather than as the out-of-home extensions of two broadcasters.

“The screens could be telling me I should look out the window because right now that’s what’s exciting,” said Rachel Abrams, founder of Turnstone Consulting, who was co-editor of Taxi07, a report about the future of New York’s yellow cabs. “The city lost an opportunity.”‘

Read the full article here.

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Filed under Design for good, Interaction design, Material culture, New York City, Rich Internet Applications, Storytelling, Technology, Transit, Turnstone, Turnstone at work, Turnstone Press, Urban, Yellow cabs

Turnstone in collaboration

In 2011, Turnstone participated in Amplify Brooklyn, run in November by the DESIS Lab at Parsons, the New School for Design, as part of their Open Design for Organizational Innovation initiative, funded by the Rockefeller Foundation. The one-day workshop brought together designers, social scientists and practitioners to use fieldwork and other design methods to address the organizational challenges of a non-profit organization in North Brooklyn. Here’s a short film about the workshop, Open Design for Organizational Innovation from Parsons Desis Lab on Vimeo:

In the spring, Turnstone also joined a team of architects and designers from Italy, Portugal and Hungary to submit a proposal to EUROPAN 11, a competition for regenerating a section of the town of Szeged, Hungary. Of 70 entrants, ours was a finalist, commended for its strategy, though none of the projects, not even the winner, will be realized. The EU has more pressing matters to attend to…?

Turnstone’s sideproject, dilys+asante, created more hit party props for the award-winning I Love Vinyl party’s second anniversary in May, as featured in Time Out in June. Even us strategists need to get hands on. And our dance on.

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Happy New Year! The 2011 Round Up: Turnstone inspired

Happy 2012. In 2011, Turnstone got the most out of

Tweeting more than blog posting. Follow @TurnstoneTweets.
Postcards from Penguin, 100 classic book covers
Sol Le Witt at Mass MoCA
The drawings of Kelsey Dake
Fifteen minutes listening to Nobel prize-winner, Leymah Gbowee
Symeon Brown‘s take on the riots at the London Policy Conference.
The Power of Making at the Victoria & Albert Museum
Christina Stampfli joining Turnstone
Graphic Details, female graphic novelists and cartoonists, exhibiting in NYC, touring in 2012
Steve Jobs, and many more, RIP
Ryoji Ikeda’s The Transfinite at The Armory on the Park, NYC (above)

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Taxis of Two Tomorrows

In October, Turnstone got a preview of Nissan’s Taxi of Tomorrow. We’re delighted a new cab has come of the strategic vision we initially set out with the Design Trust for the Taxi and Limousine Commission.

 

 

 

 

Turnstone is equally delighted the accessible, alternative fuel-ready  Karsan V1 cab, shortlisted last year to become New York’s Taxi of Tomorrow, is now a driveable prototype. The V1 went on display at the Dutch Auto Show in December, set for production in Europe.

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It’s the journey, not the destination, that counts

So, loyal fans of Turnstone, New York City have made their decision about the taxi of tomorrow (ToT) at last. Deep breath: The contract to build a custom yellow taxi for New York goes to Nissan, not to our client Karsan, nor to incumbent Ford.

First, thank you to notes and emails streaming in. No, we haven’t thrown Turnstone under a passing Crown Vic. From from it, Turnstone is delighted to be stepping into a new by-standing role as merely a savvy passenger.

That Karsan is already looking to other cities to establish a new global standard for cab design, and Nissan gets into production for NYC, is a huge testament to the original research accomplished with fellow Taxi07 Fellows of the Design Trust back in 2005-7, to Turnstone’s independent work leading up to Taxi of Tomorrow and to the efforts we made on behalf of New Yorkers’ favorite.

In a news week that buried alive all other announcements unrelated to Bin Laden and the Royal Wedding, we don’t envy anyone trying to cover this cab story, but we’ll try our best to represent some of the coverage here.

Calling Karsan’s submission ‘stylish and amenity-laden‘, the New York Times explained why the City have gone for the Japanese model over the Turkish one. Regulators are risk-managers before they are paradigm-shifting innovators. Good enough may be better than nothing at all.

Paul Goldberger’s glowing words for Karsan in The New Yorker will be framed for the Turnstone bathroom wall, alongside our Oscars and Platinum discs:

“The Karsan was far and away the best piece of design….It somehow looked as if it belonged on the streets of New York. …the Karsan taxi’s face was friendly. It made you want to jump aboard. …The Karsan was the only one of the three that made you smile, the only one that looked and felt as if it had been designed from the ground up as a taxi, and only as a taxi. It would have been something new, and something that would have made the streets of New York look better, which is what I thought this whole “taxi of tomorrow” business was about.”

While dieselheads at Jalopnik could barely muster faint praise as damnation (“New York’s New Taxi Freakin’ Sucks”), Gothamist comes out more clearly on Karsan’s side, calling out a rather ungentlemanly commenter’s verdict that the City’s choice was ‘the minivan of yesterday, declaring simply,
“Karsan Kab, we really wanted you to win!
and greeting news that the V1 will go to market elsewhere,
“If those things start showing up in San Francisco we will not be amused.”

To all these speculative fans, who liked what they saw before the potential became a reality to climb aboard, thank you for allowing us to envision what New York deserves.

In what follows, I’ll draw a number of conclusions from a couple of distinct perspectives that reflect my various engagements with this process. First, as an independent design strategist with years advocating yellow cab passengers’ needs. Secondly, a partisan view, as a consultant to Karsan. Thirdly, as a designer, stepping outside the ring of municipal mega projects, to draw some lessons for other projects.

For decision makers, least worst may equal best
Orthodox as a public agency must be, the City’s choice is not the worst decision it could have made. It could have made no decision at all, or been cowed by lobbying interest groups. It stuck reasonably to the success criteria in its original, decently crafted Request for Proposal. You get (mostly) what you ask for. More about what else it could have asked for, below.

Glocal city
In this global economy, it’s no shock that a New York icon is to be designed in one corner of the world, manufactured in another (Mexico), driven in another (Manhattan…at least below 125th St. Harlem, the taxi of tomorrow won’t come soon enough) by a man with, most likely, a South Asian/West African passport. And let’s face it, Japan could use some good news these days. That said, the economy around any local industry is worth looking after.

The City’s yellow cab choice is still a bright green one.
What the NYC cab industry does in bulk for 13000 vehicles not only influences at scale the direction in which other national cab fleets follow suit, but sets a precedent, a new normal, for miles per gallon, air quality, fueling infrastructure, and the way individual motorists think about their own car purchasing choices.

We articulated this in the Roads Forward report in 2007, alongside many other vehicle requirements that influenced the ToT concept; choosing a new cleaner vehicle is a radical shift environmentally. Fingers crossed, the project can survive legal battles ahead which may frustrate what is good for cab drivers (who pay for their own gas), for New Yorkers who breathe traffic when they open their windows, and, yes folks, for the only planet we’ve got.

On yer bike
By not choosing Karsan, the City foregoes an opportunity to introduce a cab that’s accessible to all (that’s you too, stroller moms, luggage-schlepping tourists, furniture-hauling, carless apartment-dwellers, as well as the rightly vociferous wheelchair community). An inclusive vehicle – accessibility and availability – was a pivotal goal in Roads Forward and for Taxi of Tomorrow and yet the selected car allegedly sails past this objective like an off-duty cab at 4.30 in the rain.

Drive this shiny object towards shiny objectives
From the conception of ToT, the City called on auto manufacturers to make new, iconic, safe, robust, affordable vehicles. Certainly, no small request. But a wider conceptual frame to the project, one which situates that car in a service context (nod to Zipcar), might have raised the competition amongst the submissions. What’s the ride like? How, as urbane New York street furniture, will it look from the sidewalk, from the 47th floor of a skyscraper, in the next 20 years of countless movies and ads?

Turnstone’s contribution to the Karsan proposal, specifying content strategy for digital media in/around the car, would have improved the service experience of riding and driving a cab. So why not a connected cab, a gateway to rider-relevant, context-specific, revenue-generating services? Granted, deliver the vehicle, then let’s redraft some shinier functionality for it. I’ve made Jetsons noises like this before. To paraphrase an early Banksy: Laugh now, but when the next killer app arrives on wheels and you all hail one to get home late at night in another city, I’ll say, Told You So.

And, Karsan will build their cab anyway.
“We fervently believe that there is a strong market and an acute need for a true Taxi of Tomorrow, and we look forward to working with other forward-looking cities around the globe to make the Karsan vision a reality.”
So, uncharacteristically following rather than leading, NYC may later imitate what they might now have pioneered, once it becomes standard in other cities. Can’t blame anyone for not buying v1.0, but really?

Hold the door open for the ladies
Last of all, I was the only woman on any of the competing consortia, as far as I know. Coincidentally, most NYC cab passengers are women. Just sayin’.

Equal opportunities aside, Turnstone’s more important contribution to this project was as a strategic advocate of all those who ride around in cabs (not of those who run or regulate or refurbish them), a change agent within the design team, fusing the expertise of car and digital engineers to serve the people who will sit on cab seats 24/7, 365 days a year.

Thanks
Finally, thanks to my friend York (fittingly, now working for Hot Wheels) who got me hooked on this project at the outset (that’s the last time I’m taking orders from an ex-Marine), to Imagination, the Design Trust staff and fellows, all the organizations and universities that have invited me to talk about taxis, to the constellation of unofficial tech consultants who validated our media concept in 2010, Frank at The Map Office for his visual design, and patient friends who sat through many cab rides while I barraged drivers with questions about medallions.

Your feedback is welcome. We’re going off-duty now. Back with news of the next projects very shortly.

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Spring fever

Turnstone has spent the spring surveying other designers’ work for spring inspiration.

We’re just back from Budapest, where we climbed down a 200ft hole by the Danube to inspect how the Metro 4 line is coming along under the river, connecting Buda and Pest. Good to compare public transit projects between NYC and Central Europe, and meet the students at MOME, the Moholy-Nagy University of Design.

In June, we’re co-judging Open Plans’ “Beyond the Countdown Clock” competition, which invites interdisciplinary geeks from all over to design the future of transit. They’re still inviting entrants to participate, so get on it!

In London, there is a glut of shows that are fit for our design inspiration purposes. What one thing we can take from each?

Thomas Heatherwick’s reflections at the Then|Now show at the Aram Gallery resonated. He decries that design school didn’t teach him enough about the transition from “I” to “Us”, how to shift practice from solo to studio.

The Wim Crouwel exhibit at the Design Museum is predictably delectable and rectilinear, and proves that pink and red do work together, if you also happen to be a master of Dutch mid-century typography. More when we’ve shuffled around the Dirt, Yohji Yamamoto and Susan Hiller shows this week. Under our own personal Shengen agreement, we’re crossing from one design discipline to another without a passport.

Turnstone has also visited The Hunterian, a museum of medical specimens at the Royal College of Surgeons, at last. Noone usually asks ‘what did you do that for?’ about going to see a museum collection, but posed that question several times over, there is now an answer. It definitely was more ghoulish than the London Dungeon or Tussaud’s Chamber of Horrors. I went on an empty stomach, and still lost my appetite. It’s beautifully displayed but you do have to overcome the waft of formaldehyde. But I went to look at the structures of things; to step out of my field of usual inquiry, and to conclude that disease looks disruptive. When that kind of ooh, that looks weird is scaled up, it might be a way to assess sprawl or other systems that mimic nature, or flatly deny it.

Back in New York, Turnstone just published a maiden wikipedia article for clients, Peter Gluck and Partners, on architect-led design-build. We also proudly handed over a copy of the essay on interaction designer, Durrell Bishop, to the curators of “Talk To Me“, a show about interfaces, which is due to open at the Museum of Modern Art in July. Bishop’s work does speak for itself – that’s mostly the point of it – but the 1999 written interpretation still holds up and predicts such crazy far-out futures as iphone apps and digital displays in shop windows. A true time capsule, that.

Reflecting on the contemporary context of learning and advancing interaction design, it was interesting to compare this year’s graduate candidates’ portfolios with last year’s, as admissions reviewers for SVA recently: Of a consistently high standard, applicants’ work seems to be a weathervane for the zeitgeist. In 2010, anxiety and efforts towards system-change stood out in the work, in a climate of deep economic uncertainty. This year, there are still a contingent of do-design-for-good-ers, but the applicants’ preoccupations seem to have turned back to enterprise and storytelling again. Happier times? And how will the bumps of the last few years impress on the next generation of creators and inventors?

Turnstone will be back soon to update our 2009 50 women we admire in tech story, and 20 years of architectural restoration we thought we’d left alone, report back on our talks to Harvard and Carnegie Mellon grads and Harlem 5th-8th graders, and dig up some press coverage curiosities we’ve come across during this season of Taxi of Tomorrow. Stay tuned.

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dilys+asante at Lincoln Center’s LCDJ tomorrow!

As a sidebar to all things Turnstone:

Scratching an itch to craft something, stretching beyond strategic design briefing documents right through build to installation, Rachel is launching a co-created personal project with fellow Royal College of Art graduate, Kofi Aidoo. Tomorrow we debut as dilys+asante and present Project Auricle at Lincoln Center’s LCDJ, a party hosted on 10/29 by I Love Vinyl. To toot our own horn and spout our own blurb:

“Mixing familiar funfair delight with social media, textiles and twinkling electronics, Auricle draws in party guests to express just how much they love the tunes each DJ digs up. Throughout the night, participants can email photos of their interactions with Auricle to view and share on flickr here, on facebook and on the I Love Vinyl online family albumduring and after the show.”

More about us, I Love Vinyl and LCDJ on Lincoln Center’s web site. Thanks to Glen of Core77 and Ben of I Love Vinyl for the inspiration.

Next, we sing at Carnegie Hall…


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